Flickr

I have just created a flick account so i can have a place to put all of the pictures our group has taken. Here is a link to the Good Intentions Media Flickr page.

Good Intentions Title Version 01

To create an authentic movie title for the trailer, with animation and non diegetic sound, I scoured the internet and looked for ways to do this. In the end i found a website call AE TUTS which had several tutorials showing how to do this. Luckily the program needed, Adobe After Affects was already loaded onto my computer. I followed this specific tutorial and changed the colour and text to red and Good Intentions.

I then added a thunder clap sound effect in iMovie 09.

This is the finished outcome.

Good Intentions Title Version 01

Fonts Research

Times New Yorker

A Love of Thunder

Ambulance Shotgun

MasterPlan

Ghetto Marquee

Titles Research

Here I will research some title fonts used in contemporary horror films, to gauge the factors which combine to create the final outcome used in posters, adverts and in the film itself. This bleeds into the whole theme that a film takes on, what i mean by this is that each film has a certain set of colours, fonts, and effects used their publicity campaign that are constant and dont change, and eventually become synonymous with the films itself. So the fonts i pick eventually will be used in every aspect of the publicity campaign.

Almost all of them are in capital letters, this is done to emphasize them, also to add to this they are in bold.

Production Companies Research

For our trailer we need to have

Work from Teammates - Planning

This whole project is a group effort and there is lots of work that has been allocated to my teammates, but adding their work to mine would the blog to confusing so I am going to give a list of links showing the work that has been done by my teammates the relates to our group work.

Jack Dalziel

Choice of Weapons

Alex Perez Davies

Health and Safety Report

Risk Assesment

Target Audience Profile

Shot List Vlog [Video Blog]

Work from Teammates - Research

This whole project is a group effort and there is lots of work that has been allocated to my teammates, but adding their work to mine would the blog to confusing so I am going to give a list of links showing the work that has been done by my teammates the relates to our group work.

Jack Dalziel

Horror Iconography and Ideology

Alex Perez Davis

Websites of Slasher Horror

Themes/Motifs/Ideology

Slasher Horror Costume Research

Publicity Campaign

I am now going to make a study of current publicity campaigns of a movie (I didnt specifically focus on horror films due to the fact there a lots of similaritys between them and normal movies, yet whenever possible i will use horror specific examples) to gauge all the aspects of it, this way when it comes to our publicity campaign work I will have a real basis in which to use as a template. Nowadays when a film comes out publicity campaigns make use of every advertising outlet there is, and due to recent developments in technology these are far and plentyfull, reaching a wider audience of potential movie goers than ever before. I will go through this list highliting the advantages and disadvantages while giving examples in real life.

Social Networking

Billboards

Adverts

Trailers

Posters

Promotional Giveaways

Research Location Settings

The location of horror films plays an integrel role in the generation of the atmosphere which is so definfing of a horror movie, due to the fact that our eventual horror trailer will have four diferent locations I will now research the salient conventions of the locations in contemporary horror movies.

Deserted

The location as ussualy devoid of alot of humans and is thus devoid of humanity therefore creating a sense that the conventional norms of society do not apply, this again creates an tense atmosphere were alot could go wrong. Added to this lack of society in the location theres is no emergency services, this leads to a the feeling that if in the lickly case that something goes wrong there is noone to help them but themselves, there is a highly prominent theme in The Hills have Eyes

Dark History
The location could in some cases have had something terrible happen there long ago, this is ussually recounted by one of the residents and is used as foreshadowing the future events. This is done to plant the idea or theme of whatever horrific incidents the film revolves around into the viewers mind. A good example of this is in friday the 13th, in the loaction the young people are in, crystal lake, Jason mothers was murded years before.

Foreign

The Locations of horror movies are almost always foreign (just to make it clear, i do not mean that the location is in another country, though this can happen, I mainly am talking about a place in which the protoganist are not accustomed to) to the protagonists, this is done due to that facts that it creates an atmosphere in which anything could happen, so the audience will always be on edge as to what is about to happen. Though protagonistsare always foreigners in the location, there are always local inhabitants, these are often the antagonists, but not always. A good example of this foreign location plus local inhabitants dynamic is the 2003 version of The Texas Chainsaw Massacre in which a group of travellers stop in a deserted Texan town in which the local inhabitants are acomplaces in the killing of the foreigners.

Often Night Time

Obviously wherever they are for the most part it will be night time. It may start as day yet, often coinciding with the level of tension aroused by circumstance and incidence it will gradually become dark. This is a horror movie staple and i doubt there is a salsher horror in history that doasnt feature this. Or if there isnt the concept of night and day, such as in space horror movies, it will be mostly dark. I beleive this plkays on the childhood fear of the dark, reducing the audience to the most primal of fears. A good example of this is the movie 30 Days of Night.

Titles

The Forgotten Life

This is in reference to how the antagonist has been forgotten from society, and is detached in this way, the bad side of this is it doesn't reference the main protagonist.

Father Death

This tackles the idea that the antagonist, William Fyles sees his relationship with Sarah as a father daughter dynamic but it is twisted by the death filled past.

Barbed Wife

This is in reference to the antagonists shady relationship with x wife. The problem is that the story doesn't revolve around this action.

Innocence

This is referencing both the innocence of the main girl and the innocence of the killer, who believes himself to be doing a just thing by capturing the girl.

Good Intentions
This is referencing how William Fyles, the antagonist sees his actions, but in reality there are morbid and disgusting.

http://en.wikipedia.org/wiki/The_Lovely_Bones

Me and the group discussed these ideas and we eventually decided on Good Intentions this was mainly due to the fact that it is quite subdued yet behind the surface it is a very creepy state of mind for the killer to have, our inspiration for this was films like The Lovely Bones and Hard Candy

Action Plan

Shot List Scan

Below is a story board that jack, Alex and I created over the holidays, it outlines every shot and details what event s happen in each along with visual accompaniment.

Shot list

View more documents from stoliros.1

1: I used Mr. Rosen's (our media teacher) Slideshare account due to the fact I was not able to do this on the school computers.

Progress Review

Today we have reviewed our progress so far and planned out how to progress from here.

we were giving a marking scheme so that we could mark our current research and planning. My overall blog was 13/20. After this we were given an action plan so that we could specifically write every bit of work our group has to do in order to start filming.

Characters

Sarah Jennings Played by Daisy Holland - Young innocent girl, Protagonist, last girl, wanderer

Darren Jennings Played by Edwin Cookson - Brother, Distant from family and sister, Archetypal stoner, party goer character, little compassion for the sister

Thomas Micheals - Friend of darren, similar in character

Simon Jones - Friend of darren, similar in character

Lilly Anderson - Played by Holly Keller-Cooper Typical Tom Boy Character, slightly more compassionate than the boys.

Bernard Jennings played by David Dalziel- Father of Darren and Sarah, Very nice to daughter, Feels antipathy for son due to his lifestyle.

Mary Jennings Karen Dalziel - Mother of Darren and Sarah, Typical mother, Worried about camping trip, Maternal.

William Fyles Played by Erhan Korkman - Antagonist of the film, wears a mask, Has turbelant past, Mentally Ill, is a killer.

Props

Mise en Scene

Mise én Scene is an expression used to describe the visual style of a film. The Mise én Scene within horror films plays a highly important role in creating the conventional atmosphere in which we are accustomed to. Because these will be an important part of filming I will now research into the Mise én Scene of horror films. I will do this by trying to dissect the aspects which make the mise en scene what it is.

Lighting
The lighting within horror movies is an integral part of creating atmosphere. The lighting is often very dark but has lights shone on the protoganist or antagonist or whoever the shot is focusing on. This is brought about by having a dark, dimly lit setting, accompanied by coloured light, we will use this technique within our trailer.

Colour Scheme
The colour scheme of film is often a dark pallete of deep blues greens and reds, depending on the scene. It is hard to define yet what interesting thing comes up is the fact the a films colour scheme is consistent throughout the film, and often transported into the posters and adverts. This is to keep a consistent definitive mood that makes the film easy to identify. Before doing our filming we will create a colour scheme in which to base each shot on in tyerms of the colour, this will help add a visual consitency to the film making it seem a higher standerd.

Decor
The decor of the film is an important way of creating subtle atmospheric nuance in which the veiwer can become more immersed within the world of the film.

British Board of Film Classification 15

’18′

Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.

No-one younger than 18 may rent or buy an ‘18’ rated video.

In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:

• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
• where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.

ddd

British Board of Film Classification Research

The British Board of Film Classification is an independent, non-governmental body which has classified cinema films since it was set up in 1912 and videos/ DVDs since the Video Recordings Act was passed in 1984. Basically, it gives each film released a rating that defines what age the audience who view the film have to be. Creating a promotional campaign for a slasher horror film i will decide on which classification age limit is appropriate for our trailer.

Universal – Suitable for all

It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.

If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.

Parental Guidance

General viewing, but some scenes may be unsuitable for young children

Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.

Suitable for 12 years and over

Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.

Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.

No-one younger than 18 may rent or buy an ‘18’ rated video.

In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:

• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
• where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.

In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.